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To reduce jitter
and digital noise, a specially designed low voltage differential
signaling circuit is utilized. A proprietary direct digital
synthesizer frequency lock loop controls the audio master clock
resulting in extraordinary jitter performance. This closed loop
control algorithm improves bandwidth and resolution.
Great care was
also taken in the implementation of the level controls for the Nº502
which offer an adjustment range of 120 dB, preserving the full
resolution of the signal. Fewer passive components were employed to
reduce noise and distortion, and digital quantization noise is
exceptionally low, even at the lowest volume settings. This ensures
that the level controls do not significantly degrade the sound of
the audio passing through them, c ommon in many other less rigorous
designs.
The Nº502
features Harman International’s proprietary Logic7 technology in
addition to the standard suite of Dolby and DTS listening modes.
Logic 7 is widely regarded in the industry as the best surround-sound
process available. In simple terms, Logic7 works by utilizing a
unique algorithm that engages all of the speakers in a system to
enhance the realism of the sound. By analyzing the spatial cues
included in the original sound, Logic7 presents them in a manner
that makes the overall experience much more engaging and enveloping.
Another important
detail is the Nº502’s bass management system which utilizes phase-matched
signal paths to prevent signal cancellation. Whenever two signals
are combined, as occurs in all bass management systems, the
potential for signal cancellation increases which will significantly
alter the sound. By phase matching the signal path, the Nº502
ensures that you hear every detail, the way it was intended,
regardless of the speaker configuration.
The Picture
Although Mark Levinson products are known for their superlative
sound quality, the Nº502 also establishes a new benchmark for
picture quality. In addition to providing an array of analog and
High-Definition Multimedia Interface (HDMI) inputs and outputs, the
Nº502 also includes a state-of-the-art video processor that can
convert all of the inputs into a single output and scale them to the
optimum resolution for driving the display device. This simplifies
the overall system configuration while providing the absolute best
picture quality possible.
To clean up and
sharpen compressed images from sources such as standard DVD and
satellite/cable TV broadcasts, the Nº502 includes advanced noise
reduction and detail enhancement. Combined with the built-in scaler,
standard definition sources look like true high-definition sources.
The Nº502 also includes motion adaptive video de-interlacing with
edge interpolation for improving both standard definition and high-definition
sources. And for the highest quality video sources currently
available today, the Nº502 readily handles 1080p / 24 Hz video inputs
and outputs with ease.
The Nº502
features an impressive six HDMI inputs, each with its own receiver
to deliver exceptionally fast HDMI switching and the ability to
“preview” one HDMI input while watching another. It also features to
HDMI outputs, so it can alternately drive two different displays.
Combined with the impressive video processing capabilities, the
Nº502 sets a new standard for picture quality, even when compared to
dedicated, stand-alone processors.
Nº502 Video
Board
- Twin Gennum
VXP 10-bit broadcast quality processors for 7.8 gigaflops of
processing power.
- ZBC
technology allows the power and ground planes to act as a
distributed capacitor which functions much better at high
frequencies than conventional bypass capacitors. This reduces
radiated emissions and helps to lower the overall noise in the
system.
- Eighteen-layer
PCB allows more of the signals to be routed on internal layers.
When signals are routed between ground and power layers, they
are effectively shielded and radiate considerably less. This
significantly enhances video signal to noise.
The Experience
Perhaps the most unexpected aspect of the Nº502 is the impressive
graphical user interface (GUI). Utilizing a separate graphics engine
with bit-accurate graphics for all output resolutions, setting up
and using the Nº502 is an absolute joy.
Set-up can be
accomplished using the remote control and screen in the theater, or,
by using the buttons and the screen on the front panel. The GUI on
both is the same, so if you can’t access the screen in the theater
for whatever reason, you can still use the front panel and benefit
from the same beautiful GUI. This is essential for systems where the
Nº502 is located out of sight from the screen in the theater. It
also facilitates easier configuration of other components connected
to the Nº502 that also utilize on-screen menus for set-up.
The hierarchal
structure of the menus makes it easy to navigate and to further
simplify its use. Each screen displays a menu system at all times.
Controls are duplicated on both the remote control and the front
panel, so access is convenient whether the Nº502 is within reach or
out of sight. All custom set-up features are stored, and the custom
configuration can even be saved to a personal computer through an
Ethernet port for additional peace of mind.
The Nº502 is
equipped with a state-of-the-art auto calibration system that
accurately calculates speaker distances, output levels and full room
equalization in less than ten minutes. Automatic calibration is
available for every speaker configuration and improves sound quality
by removing the interference of sound reflections that are cused by
the room itself. These reflections, or room modes, can be
detrimental to your listening experience by making the sound appear
too loud or too soft at various frequencies and cause lingering
resonances which mask the finer details in the sound. The Nº502 room
equalization effectively eliminates these room modes and makes the
entire system, including the room itself, sound more neutral and
true to the original recording.
Once set-up, the
Nº502 is a breeze to use. Day-to-day controls are kept separate from
set-up controls and all you need to do is select an activity such
as; “Watch a Film,” “Listen to Music,” or “Watch TV” and adjust the
volume. Each activity automatically loads a speaker configuration,
an audio profile and a video profile. This allows the Nº502 to
essentially reconfigure itself automatically to provide the desired
listening and viewing experience for each and every activity.
Control of the
Nº502 is accomplished in a number of different ways. There is the
backlit, metal remote control, which feels both substantial and
elegant in your hand and was designed with a minimal amount of
buttons to make it easy to use. There are the front panel controls
for when you are within reach of the Nº502. But perhaps the most
extensive way to control the Nº502 is by utilizing its RS-232 port
in conjunction with a third party controller, such as those
available from Crestron or AMX. This allows true two-way control of
the Nº502 and if the control system also has video input capability,
the ability to send the picture that is normally displayed on the
front panel of the Nº502 directly into the control system. This puts
the GUI of the Nº502 and the preview feature right into the touch-screen
controller itself, allowing these features to be used wherever the
controller is. In addition, the Nº502 includes a proprietary Mark
Levinson protocol called ML Net which utilizes Ethernet to provide
additional functions when other ML Net equipped devices are
connected to the Nº502.
The Final Word
The Nº502 is a remarkably powerful and flexible media console for
the ultimate home entertainment system and is designed in every
detail to provide the absolute best in film and music reproduction.
It is this meticulous attention to detail that makes a Mark Levinson
product stand above the rest. It sets a new standard for audio and
video performance, control and flexibility in a single chassis
design. Using only the finest materials and parts, the Nº502 honors
the Mark Levinson tradition and is sure to satisfy even the most
demanding enthusiast.
Especificaciones:
| A/D Conversion |
24-bit/192kHz, PCM multibit SD |
Analog Audio Inputs |
One unbalanced eight-channel input array, RCA connectors
Four unbalanced stereo pairs, RCA connectors
Two balanced stereo pairs, XLR connectors
Four microphone inputs, 3.5 mm mini plug, accepts either
stereo plug (tip/ring/sleeve) or mono plug (tip/sleeve) |
| Analog Audio Outputs |
One unbalanced 7.4-channel array, RCA connectors
One balanced 7.4-channel array, XLR connectors
Remote Zone
One unbalanced stereo pair, RCA connectors |
Analog Video Inputs |
Four component video - one BNC, three RCA connectors (Y, Pb,
Pr)
Three S-Video connectors
Three composite video, RCA connectors |
| Analog Video Outputs |
One component with three BNC connectors (Y, Pb, Pr)
One composite monitor, RCA connector |
Component A/D Conversion |
12-bit, 110MHz (4× SD, 2× ED, 1× HD oversampling) |
| Component D/A Conversion |
14-bit, oversampling to 216MHz |
Component Input/Output Levels |
Y: 1.0Vp-p with 75ohms load (700mVp-p video)
Pb/Pr: ±350mV with 75ohm load (700mVp-p) |
| Component Video Compatibility |
480/576i, 480/576p, 720p and 1080i |
Composite Input Level |
1.0Vp-p with 75ohm load |
| Composite Monitor Output Level |
1.0Vp-p with 75ohm load |
Control Inputs and Outputs |
One RS-232 port, RJ-11 connector
One Ethernet port, RJ-45 connector
One ML Link port, RJ-45 connector
Four progra mmable trigger outputs, 3.5 mm mini plug, accepts
either stereo plug (tip/ring/sleeve) or mono plug (tip/sleeve)
Output Voltage: 12V
Output Current: 100mA
One IR receiver, on front panel
One IR input jack, 3.5 mm mini plug, accepts either stereo
plug (tip/ring/sleeve) or mono plug (tip/ring), 12V
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| D/A Conversion |
24-bit/192kHz, PCM multibit SD |
Digital Audio Inputs |
Six S/P-DIF coaxial (RCA) and three S/P-DIF optical (TOSlink)
connectors
Coaxial and optical input connectors conform to IEC-958,
S/P-DIF standards
Two AES/EBU inputs, XLR connectors |
| Digital Audio Samples |
32, 44.1, 48, 88.2, 96, 176.4 and 192kHz |
Dimensions |
Height (with feet): 9.46 inches (240.4 mm)
Height (without feet): 8.7 inches (221.0 mm)
Width: 17.48 inches (444 mm)
Depth: 17.4 inches (442.4 mm) |
| Dynamic Range |
94 dB (Reference level: 1kHz, 30 kHz LPF) |
HDMI Input Formats |
Video: 480/576i, 480/576p, 720p, 1080i, 1080p
Audio: Dolby Digital, DTS and PCM (32, 44.1, 48, 88.2, 96,
176.4, 192kHz) |
| HDMI Inputs |
Six HDMI, Type A, Version 1.1, 19-pin connectors |
HDMI Output Formats |
Video: 480/576i, 480/576p, 720p, 1080i, 1080p
Audio: Dolby Digital, DTS and PCM (32, 44.1, 48, 88.2, 96,
176.4 and 192kHz) |
| HDMI Outputs |
Two HDMI Type A, Version 1.1, 19-pin connectors |
Input Impedance |
100Kohm |
| Maximum Input Level |
7.5V/15Vrms RCA/XLR |
Maximum Output Level |
7.5V/15Vrms RCA/XLR |
| Operating Temperature |
0° to 35°C (32° to 95°F) |
Power Consumption |
175W |
| Power Requirements |
120V~, 60 Hz / 100/220/230V~, 50-60 Hz; factory set for
destination country |
Rack Mounting |
Optional rack mount kit is available, refer to chapter 1: "Getting
Started" in the owner’s manual for ordering details |
| Reference Input Level |
2Vrms |
Reference Output Level |
1.5V/3Vrms RCA/XLR |
| Relative Humidity |
95% maximum without condensation |
Remote Control |
Handheld, back-lit IR operation; requires two AAA batteries
(included) |
| S-Video and Composite A/D Conversion |
12-bit, 110MHz (4× SD, 2× ED, 1× HD oversampling) |
S-Video and Composite Compatibility |
NTSC/PAL |
| S-Video Input Level |
Y (Luma): 1.0Vp-p with 75ohm load (700mVp-p video)
C (Chroma): 300mVp-p with 75ohm load |
Signal-to-Noise Ratio |
94 dB (Reference level: 1kHz, 30 kHz LPF) |
| Storage Temperature |
-30° to 75°C (-22° to 167°F) |
THD + N |
94 dB (Reference level: 1kHz, 30 kHz LPF) |
| Weight |
Net weight: 54.5lbs (24.6 kg)
Shipping weight: 71lbs (32.5 kg) |
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